How this tool works
The main measurement is how much sentence length varies. Prose that swings between short and long holds attention; prose where every sentence lands within a few words of the last reads flat, however good each sentence is on its own. Alongside that, the report names the sentences that all begin the same way, the stock transitions, and the phrasing that has been worn thin by overuse.
Every finding points at a place in the text rather than producing a score, because a number tells you nothing you can act on. Sentence four opens the same way as sentences five and six; sentences eleven to fifteen are all within a few words of each other; this phrase appears six times. Those are edits you can make. The longest sentences are listed last, because splitting one is usually the single change that improves the rhythm most.
What this is and is not
- It is not an AI detector, and does not report a probability: those do not reliably work — OpenAI withdrew its own for poor accuracy — and they misfire far more often on people writing English as a second language. A percentage would be inventing certainty that nobody has, and being accused on the strength of one is a real cost to a real person.
- Uniform writing is worse writing whoever wrote it: that is why this measures the shape of the prose rather than guessing at its origin. Text that genuinely varies also reads as less machine-made, but as a consequence of being better rather than as a trick.
- A short sentence is what gives a long one its weight: if nothing in a passage is under nine words, that is usually the quickest fix available. One deliberately blunt sentence changes the rhythm of everything around it.
- The flagged phrases are not errors: delve, leverage, seamless, robust and the rest are ordinary words that have been used so heavily they now read as filler. Use them where they are right; notice when they are doing no work.